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Universität Basel, Englisches Seminar
Proseminar: Literature and Culture Studies summer term 2002

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Hamlet, Prince of Denmark
course programme

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preparation:
editions - Shakespeare dictionaries - reading Hamlet (study questions and quizzes) - Inszenierung von Stefan Bachmann im neuen Schauspielhaus - links - questions

course programme
bibliography
film programme
editing Hamlet

...

week

content

preparation

2)
Mon 8 /
Tues 9
April

- course organization
- reading drama
- discussion of Act I

re-read Hamlet, Act I

3)
Mon 15 /
Tues 16
April

- the Elizabethan stage
- anthropological approach to performance
- discussion of Act II

re-read Hamlet, Act II
Schechner, "Towards a Poetics of Performance" (course pack p. 6)

4)
Mon 22 /
Tues 23
April

- discussion of Act III

re-read Hamlet, Act III
Greenblatt, "Introduction to Hamlet" (course pack p. 25)
Bohannan, "Hamlet in the Bush" (course pack p. 30)
for Stephen Greenblatt see also: New Historicism, Beginning Theory, chapter 9

Wed. April 24

24. April 2002, Mittwoch. 19 Uhr (Theater, Nachtcafé)

Geschichte als Phantom oder Hamlet und die Schweiz
Jörg Wiesel (Deutsches Seminar) diskutiert mit Stefan Bachmann und Christine Richard über mögliche Hintergründe der ungewöhnlich scharfen deutschen Kritik der Hamlet-Aufführung in Basel. Nachtcafé Stadttheater.

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5)
Mon 29 /
Tues 30
April

- Bachmann's Hamlet production in Basel
- critical paper assigned
- discussion of Act IV

re-read Hamlet, Act IV
Hamlet at the Schauspielhaus in Basel

6)
Mon 6 /
Tues 7
May

- discussion of Act V
- discussion of critical texts
- psychoanalytic approach
- feminist approach

re-read Hamlet, Act V
Jones, Ernest. "Hamlet and Oedipus." (course pack p. 36)
for Ernest Jones see also: Psychoanalytic Criticism, Beginning Theory, chapter 5
Showalter, Elaine. "Representing Ophelia: Women, Madness, and the Responsibility of Feminist Criticism." (course pack p. 43)
for Elaine Showalter see also: Feminist Criticism, Beginning Theory, chapter 6

7)
Mon 13 /
Tues 14
May

discussion of critical text (the construction of the subject)

Belsey, K. "Introduction: Reading the Past", "Unity" (The Subject of Tragedy) (course pack p. 53)
for Catherine Belsey see also: English feminist criticism, Beginning Theory, chapter 6, p. 126

8)
Tues 21
May

Balz Engler: "Performance and Performativity"

Culler, J. "Performative Language" (course pack p. 81)
for Jonathan Culler see also: Structuralism, Beginning Theory, p.49f

9)
Mon 27 /
Tues 28
May

discussion of critical text

Ferguson, M. "Hamlet: Letters and Spirits" (course pack p. 89)

10)
Mon 3 /
Tues 4
June

discussion of critical text

Hawkes, "Elizabethan Language, Culture, Drama" (course pack p. 98)
for Terry Hawkes see also: Cultural materialism, Beginning Theory, p. 182-190

11)
Tues 11
June

Balz Engler, "Media & Literature"

Taylor, N. "The Films of Hamlet" (course pack p. 107)

12)
Mon 17 /
Tues 18
June

discussion of lecture and Hamlet films

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13)
Mon 24 /
Tues 25
June

editing and translating Hamlet

see:
editing Hamlet

Philip Edwards, introduction, "The play's shape" (p. 8-32)
editing Hamlet

14)
Mon 1/
Tues 2
July

- stage workshop
- summing up

Stoppard, Dogg's Hamlet (course pack p. 115)




preparation:
editions - Shakespeare dictionaries - reading Hamlet (study questions and quizzes) - Inszenierung von Stefan Bachmann im neuen Schauspielhaus - links - questions

course programme
bibliography
film programme
editing Hamlet

...

 

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June 2002